Jovencio de la Paz
Jovencio de la Paz (b. 1986, Republic of Singapore) lives and works in Eugene, Oregon.
The work of Jovencio de la Paz is situated in the intersection of radically different technologies: the loom and the modern computer. They approach this intersection both as a traditionally trained weaver and a digital native. Sharing the same language of binary code, this ancient technology and software are both exploited, disrupted and even undermined in de la Paz’s work. They use the digital TC2 (Thread Controller 2) Jacquard loom to manipulate, hack, confound, and fracture design software to explore and test the boundaries of how cloth is typically conceived. They push design software to the point of rupture or failure, capturing the physicality of these behaviors as the warp and weft of hand- woven textiles. Consequently, the works become irreducibly unique “accidents” or formal aberrations. As such, the material history and conceptual nature of the work reflects and embodies the personal politics and non binary identity of the artist not merely as a form of affirmative representation, but rather as a complex space of potential.
Jovencio (they/them) received a Master of Fine Art in Fibers from the Cranbrook Academy of Art (2012) and a Bachelor of Fine Art with an emphasis on Fiber and Material Studies from the School of the Art Institute of Chicago (2008). They have exhibited work in solo and group exhibitions both nationally and internationally, most recently at PPOW, New York (solo, 2025); Dallas Contemporary; the San Jose Museum of Quilts and Textiles; Cranbrook Museum of Art in Bloomfield Hills, MI; R & Company Gallery in New York, NY; Vacation Gallery in New York, NY; The 2019 Portland Biennial at Oregon Contemporary in Portland, OR; The Museum of Craft and Folk-art in Los Angeles, CA; The Museum of Contemporary Art in Denver, CO; Seoul Arts Center, Seoul, South Korea; The Hyde Park Art Center, Chicago; Uri Gallery, Seoul, South Korea, Slash Gallery in Seattle, WA; the 2024 Immigrant Artist Biennial in New York; the ICA at Carnegie Mellon in Pittsburgh, PA. In 2022, de la Paz was awarded the prestigious United States Artists Fellowship for their significant contributions to the field of weaving. Jovencio de la Paz is an Associate Professor and Head of Fibers at the University of Oregon in Eugene, Oregon USA.
Warped Grid 3.0, 2023. Hand-woven, Jacquard textiles and cotton, 52 x 57 x 1 1/2 in (132.1 x 144.8 x 3.8 cm)
Warped Grid 3.2, 2023. Hand-woven, Jacquard textiles and cotton, 44 x 42 x 1 1/2 in (111.8 x 106.7 x 3.8 cm)
The big one and the little one 2.1, 2023. Hand-woven, Jacquard textiles and cotton, 58 x 58 x 1 1/2 in (147.3 x 147.3 x 3.8 cm)
The big one and the little one 2.0, 2023. Hand-woven, Jacquard textiles and cotton, 20 x 30 x 1 1/2 in (50.8 x 76.2 x 3.8 cm)
Warped Grid 3.1, 2023. Hand-woven, Jacquard textiles and cotton, 67 x 52 x 1 1/2 in (170.18 x 132.08 x 3.8 cm)
Bent Pyramid (1.1), 2022. Handwoven, Jacquard textile and cotton, 62 x 62 x 1.5 in (157.48 x 157.48 x 3.81 cm)
Installation image, Some Circles, Bent Pyramids, and Warped Grids, Chris Sharp Gallery, Los Angeles, 2022
An Ocean for Eloise, 2021. Handwoven, Jacquard textile and cotton, 69 x 53 x 1.5 in (175.26 x 134.62 x 3.81 cm)
An Ocean for Eloise, detail
Warped Grid (1.1), 2022. Handwoven, Jacquard textile and cotton, 47 x 33.5 x 1.5 in (119.38 x 85.09 x 3.81 cm)
Warped Grid (1.3), 2022. Handwoven, Jacquard textile and cotton, 33.5 x 34 x 1.5 in (85.09 x 86.36 x 3.81 cm)
Warped Grid (1.3), detail
10 Failed Circles, 2021. Handwoven, Jacquard textile and cotton, 70 x 70 x 1.5 in (177.8 x 177.8 x 3.81 cm)
Warped Grid (1.2), 2022. Handwoven, Jacquard textile and cotton, 34 x 32 x 1.5 in (86.36 x 81.28 x 3.81 cm)
Installation image, Some Circles, Bent Pyramids, and Warped Grids, Chris Sharp Gallery, Los Angeles, 2022
The Light of Kabir, 2022. Handwoven, Jacquard textile and cotton, 79 x 63 x 1.5 in (200.66 x 160.02 x 3.81 cm)
The Light of Kabir, detail
Warped Grid (1.0), 2022. Handwoven, Jacquard textile and cotton, 45 x 45 x 1.5 in (114.3 x 114.3 x 3.81 cm)
Warped Grid (1.0), detail
Installation image, Some Circles, Bent Pyramids, and Warped Grids, Chris Sharp Gallery, Los Angeles, 2022
RECENT EXHIBITIONS
el lugar de los milagros / the place of miracles
P·P·O·W, New York
Solo Show
May 16 - June 21, 2025
You Stretched Diagonally Across It: Contemporary Tapestry
Dallas Contemporary, Dallas
Group Show
April 11 - October 12, 2025
Bhakti Ziek: A Tenuous Thread
form & concept gallery, Santa Fe
Group Show
February 23 - April 26, 2024
Art SG 2024
Chris Sharp Gallery, Singapore
Solo Booth
January 19 - 21, 2024
The Ends of Rainbows
Halsey Institute of Contemporary Art, Charleston
Solo Show
January 13 - February 25, 2023
Conflictual Distance
EFA Project Space Program, New York
Group Show
November 16 - 2024 January 6, 2023
Some Circles, Bent Pyramids, and Warped Grids
Chris Sharp Gallery, Los Angeles
Solo Show
April 30 - June 11, 2022